The best mirrorless camera for 2024: top picks for every budget (2024)

It’s impossible to pick the best mirrorless camera for everyone: the ideal option for you will match your skill level, needs and budget. That’s why we’ve tested a huge range of mirrorless cameras, covering everything from entry-level models to premium flagships. In our round-up below, you’ll find a ranked list of our favorite mirrorless cameras for every type of photographer.

After hours and hours of testing, we think the best mirrorless camera for most people is the Sony A7 IV. Equipped with a sharp full-frame sensor and fantastic autofocus, it handled almost every shooting scenario we threw at it. That’s why we also rate it as the overall best camera you can buy right now. That said, we know it might not be the right choice for you.

We suggest reading to the end of our guide, to get a complete picture of the best mirrorless cameras available at the moment. We’ve reviewed each model in the real world, checking everything from image quality and autofocus performance, to human factors such as handling and ease of use. By highlighting the benefits and drawbacks of each option, as well as who we think it’s best for, we’ve tried to make it as easy as possible for you to find your next mirrorless camera.

The quick list

The summary below will give you an instant overview of the best mirrorless camera options for every type of photographer. When you find one that ticks the right boxes, you can follow the links beneath each entry to jump down to our full write-ups.

The best mirrorless cameras for 2024

Below you'll find full write-ups for each of the best mirrorless cameras in our list. We've tested each one extensively, so you can be sure that our recommendations can be trusted.

The best mirrorless camera overall

The Sony A7 IV is a truly modern hybrid camera. It’s overkill for beginners and more expensive than its stills-focused competition, but it’s also a versatile workhorse for anyone who want to shoot a mixture of photos and video. In our tests, we found the A7 IV to have class-leading autofocus skills (although Sony has since launched the pricier A7R V with its new AI autofocus chip and improved subject detection). It's buffer depth proved seemingly endless as well, meaning the camera can almost indefinitely maintain its maximum burst speeds. When using a CFexpress card, it swallowed 9fps for over a minute (or 6-7fps when continuously shooting raw).

The A7 IV's new 33MP full-frame sensor doesn't dramatically improve image quality over the A7 III (the higher resolution also means fairly prevalent noise above ISO 6400), and there's a heavy crop on 4K footage. A price bump means it no longer occupies the same entry-level price bracket as its popular predecessor either, but upgrades like 10-bit video and a Bionz XR processor make it a much more powerful option. As a complete package, the Sony A7 IV is a solid all-rounder which could be the only mirrorless camera you'll ever need.

Read our in-depth Sony A7 IV review

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The best mirrorless camera for beginners

There are cheaper mirrorless camera for beginners, but none that can match the versatility of the Canon EOS R10. From our tests, two features set the Canon EOS R10 apart for learners: its 15fps burst shooting rate and powerful subject-tracking autofocus, which operates across 651 AF points. These two features combine to make the R10 a fantastic performer in a range of scenarios, particularly when subjects are fast moving. We found it particularly good at tracking the eyes of subjects.

It’s not a perfect camera for beginners: we found the EVF a little small and also noted the lack of image stabilization, a feature which is offered on rivals like the Olympus OM-D E-M10 Mark IV (below). Then again, we also found that the R10’s low weight and deep grip make it a forgiving camera for novices to use. We also noted positively in our review the helpful presence of an AF joystick. The only major drawback is the lack of native lenses currently available for Canon’s RF mount. In all other respects, the R10 is a versatile option for photographers getting started.

Read our in-depth Canon EOS R10 review

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The best mirrorless camera for pros

At 61MP, the Sony A7R V has the same class-leading resolution as the A7R IV before it. But thanks to a new sensor and powerful Bionz XR processing engine, our review found that the A7R V is a better camera overall. Paired with high-quality optics and up to eight stops of image stabilization, we found it capable of capturing outstanding detail. We found image quality to be excellent when shooting detailed subjects, making the A7R V a fantastic choice for landscape or studio pros.

In our tests, its AI-powered Real-time Recognition AF wasn’t foolproof, but it could reliably lock onto a range of subjects, working particularly well with people – even in wider scenes. Its articulating touchscreen provides useful flexibility when it comes to framing, while the EVF is as sharp here as on the A7S III. If you want a high-spec full-frame powerhouse and don’t mind paying for it, the A7R V is a serious step up from its predecessor. But if you can’t afford the best glass, want to shoot slow-mo 4K video or simply don’t need such high resolution, you might find better value in the A7 IV.

Read our in-depth Sony A7R V review

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The best mirrorless camera for video

The Panasonic Lumix S5 II is a worthy successor to one of our favorite video cameras, the S5. Like the S5, the S5 II is ticketed as a hybrid, but video is where it excels. In our tests, we found its 6K/30p footage rich and detailed, with wide dynamic range. Its video chops are bolstered by 10-bit recording across almost all resolutions, plus the ability to record uncropped footage using the sensor’s full 3:2 aspect ratio – useful for cropping content. We also found it sturdy yet comfortable to handle during testing. Happily, its compact design doesn’t compromise the physical controls.

The S5 II is Panasonic’s first mirrorless camera with phase detection AF for video. Combined with effective image stabilization, we found it produces sharp, stable video even when shooting handheld, although the 1.5x crop on 4K/60p video is a shame. The Panasonic Lumix GH6 is a more travel-friendly video powerhouse with a Micro Four Thirds sensor, while serious videographers will be drawn by the Lumix S5 IIX. Nevertheless, the S5 II is a fantastic full-frame hybrid for high-quality video.

• Read our in-depth Panasonic Lumix S5 II review

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The best crop-sensor mirrorless camera

The Canon EOS R7 is like one of the camera giant's full-frame EOS R cameras, only with a smaller APS-C sensor. For the price, it's impressively powerful, particularly if you're fan of shooting wildlife or sports scenes. That's because it boasts 15fps burst speeds (or 30fps if you switch to the electronic shutter). Our tests found that the EOS R7 can indeed hit these speeds, though you don't get the deep buffers found on full-frame siblings like the EOS R6, so it can't sustain those speeds for quite as long.

Beyond rattling off frames of speeding animals, the EOS R7 offers comfortable handling, Canon's latest subject-tracking autofocus system and and dual UHS-II card slots, making it a camera that will also tempt pro EOS R series fans as a second body. The only downside? Canon has so far only made two native lenses for the EOS R7's APS-C sensor. More should be en route, though, and you can always mount existing RF lenses or adapt older EF lenses from Canon's DSLRs while you wait.

Read our in-depth Canon EOS R7 review

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The best retro mirrorless camera

The Nikon Z fc is a gloriously retro take on the Nikon Z50, the camera giant's other crop-sensor mirrorless camera. It packs the same specs as the Z50 into a body that's inspired by the Nikon FM2 from the early 1980s – and the combination is a triumph for casual shooters who want a fun camera for travel and everyday shooting. It might lack a weather-proof build and the large grip seen on the Nikon Z50, but we found the Z fc to be a delight to shoot with.

Its competitive specs, which include a 20.9MP sensor, the ability to shoot 4K/30p video, and continuous AF tracking for people and animals, are also borne out in reality.The only downside? A lack of native lenses. If a wide range of APS-C lenses is important to you, then Fujifilm's X-series is a good alternative – but otherwise, the Nikon Z fc is a glorious mix of old and new. That said, if you have a little extra cash and are looking for a more rugged, full-frame retro camera, then the pricier Nikon Zf is the one for you.

Read our in-depth Nikon Z fc review

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The best value mirrorless camera

On paper, the E-M10 Mark IV is an easy camera to overlook. But in reality, it’s one of the best cameras for beginners who are mainly focused on stills rather than video. It might lack advanced features such as phase-detection autofocus or a microphone input, but it ticks all of the key boxes for beginners. A compact body and approachable button layout make it an accessible upgrade for smartphone photographers, as do Wi-Fi and Bluetooth connectivity.

In our tests, we found that the 20.3MP sensor to be plenty capable enough to capture consistently attractive images, while in-body image stabilization works a treat for shooting snaps at slower shutter speeds. The 121-point contrast detection autofocus won’t make headlines, but it does a decent job of consistently tracking faces and eyes. Add classic styling to the mix, plus a handy flip-down touchscreen and an Advanced Photo mode that makes it easy to experiment with complex techniques and the Mark IV proves itself a well-rounded beginner mirrorless option.

Read our in-depth Olympus OM-D E-M10 Mark IV review

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The best pro hybrid mirrorless camera

The Nikon Z8 doesn’t do much that we haven’t already seen in the Z9. But as a smaller, cheaper version of our camera of the year 2022, it’s one of the most capable mirrorless models you can buy right now. In testing, we found it every bit the capable hybrid camera, producing pin-sharp stills courtesy of its 45.7MP full-frame sensor, with fantastic 8K video to match. It doesn’t rival the 61MP resolution of the Sony A7R V, but the pixel difference makes the Nikon Z8 twice as fast.

The Nikon Z8 follows the Z9 in excluding a mechanical sensor entirely, and reaps the performance rewards. During our review, we found 20fps burst shooting more than enough to capture action-packed moments, but the Z8 can go all the way to 120fps if you’re happy with 11MP output.We did find battery life a little limited in testing, and in-body image stabilization was simply fine. But by squeezing almost all of those flagship features into a significantly smaller body, at a lower price, we think the Nikon Z8 offers a recipe that will make more sense for most people than the Z9.

Read our in-depth Nikon Z8 review

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The best medium format mirrorless camera

While it’s very much a camera for photography purists, the Hasselblad X2D 100C is also the most versatile and accessible Hasselblad to date. It squeezes a medium format sensor into a stunning body that we found surprisingly compact and comfortable to handle. We also appreciated the convenience of its built-in 1TB of SSD storage. That’s not to say it doesn’t occupy a narrow niche: there’s no video, burst shooting tops out at 3.3fps, and even with speed enhancements, its autofocus still lags far behind the latest mirrorless models. And if you like telephoto lenses, there's no obvious option from Hasselblad.

Yet despite these drawbacks, we found its manageable form factor and tilt-angle touchscreen made it usable in the real world, while its in-body image stabilization – a first for Hasselblad – eliminated the need for a tripod. Its 100MP sensor can capture pin-sharp stills, while its leaf shutter setup permits greater use of wide apertures with flash portraits. Color rendition and dynamic range are outstanding, too. The X2D is right up there with our favorite medium format cameras.

Read our in-depth Hasselblad X2D 100C review

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The best mirrorless hybrid for beginners

Taking all that made the X-S10 one of our favorite mirrorless hybrids, the Fujifilm X-S20 adds beginner-friendly features while still satisfying advanced users. By inheriting the 26.1MP X-Trans CMOS 4 sensor from the X-S10 and X-T4, the X-S20 benefits from a proven imaging system, while Fuji’s latest X-Processor 5 works efficiently with the bigger battery to extend longevity. The X-S20 enhances things further by offering 6K/30p 4:2:2 10-bit internal video recording, which is more than most casual content creators will need.

Adopting the balanced body of the X-S10, it handles comfortably. Our first impressions found that simplified dials make it easier for learners to operate. A new Vlog mode, plus automatic scene detection and better subject tracking, also ease the way for beginners. We do think many novices will be wary of its increased price tag, with the X-S10 still available for less. We also wish that Fuji had weather-sealed the X-S20. All the same, with a generous feature set – including in-body image stabilization that worked well for handheld shooting in our review – the result is a very capable all-rounder for both stills and video.

Read our in-depth Fujifilm X-S20 review

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The best mirrorless camera for action

With a stacked sensor that’s seriously rapid, the Fujifilm X-H2S is one of the best mirrorless cameras for action photographers who also want to shoot pro-quality video. Its electronic shutter delivers burst speeds of up to 40fps, while its subject-tracking autofocus makes it easily the best Fuji X-series camera for shooting fast-moving scenes. Videographers are also rewarded with a superlative skill set. The X-H2S can record detailed 6.2K/30p footage internally, with countless color profiles for editing flexibility. In-body image stabilization and a sharp articulating touchscreen complement the package.

We think it’s overkill for photographers who won’t utilise its blistering pace, and there’s no escaping its serious price tag. That said, it’s a more realistic alternative to the Nikon Z9. And while it costs the same as full-frame rivals such as the Sony A7 IV, not other APS-C camera can compete with its feature set or the performance of its stacked sensor.

Read our in-depth Fujifilm X-H2S review

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How to choose the best mirrorless camera for you

It's a great time to buy a mirrorless camera, but also a slightly overwhelming one. An explosion in the number of options available at all price points from the likes of Canon, Sony, Nikon, Fujifilm, Panasonic and a reborn Olympus means that photographers and videographers have never had more choice.

So where to start? Sensor size is often a good barometer of a camera's character and shooting style. Models that are built for professionals and keen amateurs will have either a full-frame sensor or a slightly smaller APS-C chip. The latter tend to be smaller and more affordable than full-frame cameras, if not quite as portable as those with Four Thirds sensors (from Panasonic and Olympus).

Other important features to look out for are electronic viewfinders (EVFs), which bump up the price but are nigh-on essential for most photographers. It's also worth considering what kind of lenses you'll need.

If you like to specialize in a particular area (for example, wide-angle architecture or macro), then check the system you're looking at to make sure it has the right options for you. In the full-frame mirrorless space, Sony offers the most choice right now, while on crop-sensor APS-C cameras Fujifilm has a wide range of options at most focal lengths.

How we test mirrorless cameras

Buying a mirrorless camera these days isn't cheap, so every camera in this guide has been tested extensively by us. These days, real-world tests are the most revealing way to understand a camera's performance and character, so we focus heavily on those, along with standardized tests for factors like ISO performance.

To begin with, we look at the camera's design, handling and controls to get a sense of what kind of photographer it's aimed at and who might most enjoy shooting with it. When we take it out on a shoot, we'll use it both handheld and on a tripod to get a sense of where its strengths lie, and test its startup speed.

To test performance, we use a formatted memory card (the fastest supported type be it UHS-I, UHS-II, CFexpress A or B, and so on) and shoot in both raw and JPEG (if available). For continuity we use the same camera settings (1/250 sec, ISO 200, continuous AF) when testing the real performance of the camera's continuous high burst mode for high speed photography. We'll also look at how quickly the buffers clears and repeat the test for both raw and JPEG files.

In various lighting conditions, we also test the camera's different autofocus modes (including Face and Eye AF) in single point, area and continuous modes. We also shoot a range of photos of different styles (portrait, landscape, low light, macro/close-up) in raw and JPEG to get a sense of metering and its sensor's ability to handle noise and resolve fine detail.

If the camera's raw files are supported by Adobe Camera Raw, we'll also process some test images to see how we can push areas like shadow recovery. And we'll also test its ISO performance across the whole range to get a sense of the levels we'd be happy to push the camera to.

Official CIPA ratings helpfully estimate the camera's expected battery life but the reality is often different – for better or worse – and so we run our own real-world tests, making sure the screen brightness is in its factory setting. Once the battery has reached zero, we'll then count the number of shots to see how it compares to the camera's CIPA rating. Finally, we test the camera's video skills by shooting some test footage at different frame-rates and resolutions, along with its companion app.

We then take everything we've learned about the camera and factor in its price to get a sense of the value-for-money it offers, before reaching our final verdict.

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